Showing posts with label Tourist Trap. Show all posts
Showing posts with label Tourist Trap. Show all posts

Friday, January 28, 2011

Photography Tips: Long Exposures in a Tourist Trap (Cave)

This series of photos was taken in Gyokusendo Cave Okinawa, Japan last Thursday. A friend and I figured a weekday would be the best time to go in order to avoid busloads of tourists. We were wrong.

There was a steady flow of Chinese, Japanese and Korean tourists and gazillions of students stomping through the place on field trips. It seemed as if the teachers, or whoever is supposed to supervise these rambunctious youth, just dumped them in through the hole at the entrance and wandered over to the exit to round them up an hour later when they emerged.

After I (not-so-silently cursed) under my breath because my well-composed, long exposure shots got ruined from the metal walkways shaking, it dawned on me. The tourists are supposed to be having fun.

I was working. That's fun, to me but, I take it seriously. So, I had to compromise.



GET AWAY FROM THE METAL AND WOODEN WALKWAYS THAT PEOPLE SHAKE.



PLANT YOUR TRIPOD ON FIRM GROUND AND USE A TIMER OR CABLE RELEASE.



ZOOM AND FOCUS ON A POINT HIGH ABOVE THE HEADS OF THE TOURISTS.



TAKE PLENTY OF SHOTS FROM THE EXACT SAME POSITION AND EXPERIMENT.


THESE PHOTOS WERE TAKEN WITH APERTURE F/11  2.5 - 5 SECONDS ON SHUTTER.

All caves that are designed for tourism have some sort of interior lighting. It's just a matter of moving around to where you can take advantage of it for your camera's exposure.

Stationary lighting makes it fairly easy to adjust exposure but, the pinwheel-colored lighting above, controlled by motion detectors was a bit more challenging.

In high contrast photography with a DSLR it's always best to shoot underexposed photos and bring the exposure up in editing afterwards.

Reading the lightmeter in my viewfinder, for these shots, I underexposed from -1 to -2 on the Exposure Value (EV) scale. I do this by changing the shutter speed and leave the aperture set at f/11.


This time of year, in Okinawa, it also pays to carry a lens cloth or plenty of lens paper. Check the camera lens frequently for moisture from condensation as you are passing through different levels of the cave. A few times, my lens fogged up and was dripping with water.

The most valuable advice to remember from this photography tip: If you plan on taking long exposures in a tourist trap, like a cave, do whatever it takes to avoid tourists.

Visit my Homepage for THE PHOTO OF THE DAY




Related Link: GYOKUSENDO CAVE

Friday, August 20, 2010

Just Me and a Python


Here's a shot of Yours Truly holding a Python. It was taken back in June of this year after I came out of Gyokusendo Cave.

Down in the caves it was nice and cool but, when I got back above ground it was kind of hot and steamy, even rained a little. So, the tourist traps where you could go indoors and suck up free air conditioning, once you paid the six or eight bucks to see the snake show, sounded like a plan to me.

Back in the old days when you went in the Snake House here, they used to have a real show. They'd turn a snake and a mongoose loose in a cage together. And there would be a fight. One of them would come out of the cage dead.

Times have changed. Now natural enemies are only allowed to do that stuff out in nature. So, the critters get to spend a long time behind bars and get to come out for tourists to poke, pet and take pictures. What's up with that?